"I originally thought this was going to be a Kickstarter-funded and shot in someone's backyard movie," said Spicer. "But I've been fortunate enough to work in New York, so I got the script to a casting director. We couldn't have made it without that kind of help."
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"The majority of audiences have stuck around (for the Q&A session)," Spicer said. "They have had some really great questions. We've had a dialogue about the major themes we want to be taken away from the movie which is the cornerstone of this experience."
"See yourself in the movies!" Prior to the advent of the home movie camera and the ubiquitousness of the camera phone, there was the local film. This cultural phenomenon, produced across the country from the 1890s to the 1950s, gave ordinary people a chance to be on the silver screen without leaving their hometowns. Through these movies, residents could see themselves in the same theaters where they saw major Hollywood motion pictures. Traveling filmmakers plied their trade in small towns and cities, where these films were received by locals as being part of the larger cinema experience. With access to the rare film clips under discussion, Main Street Movies documents the diversity and longevity of local film production and examines how itinerant filmmakers responded to industry changes to keep sponsors and audiences satisfied. From town pride films in the 1910s to Hollywood knockoffs in the 1930s, local films captured not just images of local people and places but also ideas about the function and meaning of cinema that continue to resonate today.
""The continuous power of the moving image as both self-reflection and time machine is analyzed, dissected, and painstakingly pieced back together to present a narrative of the local film that becomes national and global in its interpretation. Martin L. Johnson presents a thousand faces as a movement of film history. He has taken a footnote in the early days of the movies in the United States and given it the platform this scholarship deserves."
Through the generous support of the National Endowment for the Humanities, Indiana University Press is pleased to make this monograph freely available as an Open Access monograph. To read or download, visit -street-movies.
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